A celebrated actor of Belgian and Scottish descent, Dirk Bogarde was one of Britain's most popular leading men of the 1950s and early 60s, making his name in mostly routine light comedies (as Simon Sparrow in the popular Rank "Doctor" series) and melodramas before attracting serious attention for his role as a blackmailed homosexual lawyer in Basil Dearden's "Victim" (1961). The response to his corrupt valet who comes to dominate his "master" in Joseph Losey's "The Servant" (1963) seemed to convince Bogarde that he was not just handsome but intelligent and talented, and he took greater care in selecting his roles thereafter. He gave superb performances in the first two films of Luchino Visconti's "German decadence" trilogy: as the doomed plant manager for the powerful Essenbeck steel company in "The Damned" (1969) and as Gustav von Aschenbach, the stricken writer at the center of "Death in Venice" (1971). Many considered the latter to be his finest screen portrayal.
As a child, Bogarde had wanted to be a stage actor, and, together with his sister Elizabeth, wrote and acted out plays in an old barn for an audience of cows. By the age of 14, he had found a job as a carpenter in the old Q Theater in the London suburbs, earning 40 shillings a week. Bogarde quickly graduated to painting and designing the sets, and soon after, stage managing. His stage debut came replacing a sick actor in J B Priestley's "When We are Married", and, after serving in WWII, he received his first recognition for "Power Without Glory" (1948). The actor's film debut in "Esther Waters" (1948) led to a contract with the Rank organization and a steady diet of starring roles over the next fifteen years. The early 1970s found him living in the south of France and working less frequently in film, though he did play the title role in Liliana Cavani's "The Night Porter" (1973), acted the part of John Gielgud's son in Alain Resnais' "Providence" (1977) and joined the star-packed cast of Richard Attenborough's "A Bridge Too Far" (1977).
After starring in Rainer Werner Fassbinder's "Despair" (1978), Bogarde made a self-imposed retreat from the big screen but did appear on television, most notably as Roald Dahl in the CBS biopic "Act of Love: The Patricia Neal Story" (1981) and in Graham Greene's "May We Borrow Your Husband?" (1986), which he adapted for British TV. During his hiatus, he stayed busy as a best-selling author, publishing four memoirs, a collection of letters and three novels. He made a stunning return to film with a moving, richly detailed performance in Bertrand Tavernier's father-daughter reconciliation film, "Daddy Nostalgia" (1990), for which Bogarde also wrote some significant scenes. He also provided narration for the documentary "Schindler: The Real Story" (1994), originally aired on Thames Television.
Family
GRANDFATHER: Forrest Niven. Actor.
FATHER: Ulric van den Bogaerde. Journalist. Art correspondent for the London Times; Belgian.
MOTHER: Margaret van den Bogaerde. Actor. Discontinued acting after marriage; Scottish; according to Bogarde's memoirs was an alcoholic.
SISTER: Elizabeth van den Bogaerde Goodings.
BROTHER: Gareth van den Bogaerde.
NEPHEW: Brock van den Bogaerde. Bogarde left the bulk of his estate to his nephew.
Companion
COMPANION: Anthony Forwood. Manager. Together from the 1960s until Forwood's death in 1988; formerly married to Glynis Johns.
Milestone
Worked as a carpenter at the Q Theater in the suburbs of London at age 14; graduated to scene painting and designing and eventually to stage managing
Began acting career with Amersham Repertory Company; made stage debut in "When We Are Married" replacing an actor who fell ill
1939: Film debut (as an extra) in "Come On George"
1941: Enlisted in British Army; took part in the Normandy Landings
After war, sent to Burma and Java; wrote for army newspaper and Radio Batavia programs
1948: Received first major notice as Cliff in stage play "Power Without Glory"
1948: Film acting debut in "Esther Waters"
Britain's most popular leading man, appearing mostly in fluff (i.e., Rank's "Doctor in the House" series directed by Ralph Thomas)
1961: Appeared in memorable role as closeted homosexual barrister married to Sylvia Sims in Basil Dearden's ground-breaking "Victim"
1963: Deliviered an award-winning performance in Joseph Losey's "The Servent"
1964: TV acting debut, "Little Moon of Alban" (NBC)
1965: Starred opposite Julie Christie in John Schlesinger's "Darling"
1971: Gave what many consider his finest performance as Gustave von Aschenbach in Luchino Visconti's film of Thomas Mann's "Death in Venice"
Moved to South of France and made a remarkable home out of a converted shepherd's cottage; appearances in film became less frequent
1977: Played Lt General Frederick Browning in Richard Attenborough's all-star "A Bridge Too Far"
1978: Starred in Rainer Werner Fassbinder's "Despair"
1981: Portrayed Roald Dahl in the CBS TV-movie "Act of Love: The Patricia Neal Story"
1984: Served on Cannes Film Festival Jury
Returned to England after living in the south of France
1990: Returned to screen in Bertrand Tavernier's "Daddy Nostalgia"; final film
1992: Received knighthood
1996: Suffered a stroke in October; became a virtual recluse
1998: Resurfaced in the news when it became public he had adopted a "living will"
Education
Allen Glens College - Glasgow, Scotland
Chelsea Polytechnic School of Art - London, England
University College - London, England
Royal College of Art - London, England - studied under Henry Moore and Graham Sutherland
Rosamond Tifft
His work was brilliant & versatile
I would just like to say that after the
terrific day long Summer showing of Dirk
Bogarde films I realized how ...
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1899bogie1957
Have to Hunt for his Films
His name won't be credited among the leads on cable & satellite guides. If his films have gay themes they'll ...
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